Chinese Arts & Crafts | Ancient Chinese Culture

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New Year Picture – Nian Hua

New Year Picture, also called “Nian Hua” in Chinese, is one of the unique traditional paintings in China. It is a kind of Chinese folk craft which boasts decorative and appreciative values of Chinese people. It is also the reflection of Chinese history, faith and culture.

The history of New Year Pictures can date back to the period of the Han Dynasty (202BC~220). Its original form was a picture of a door god. Later, in the Song Dynasty (907~1279), New Year Pictures was popular and widely spread. During the period of the Qing Dynasty (1636~1911), it was formally known as the New Year Picture.

The four famous New Year Pictures respectively comes from Tianjin Yangliuqing, Suzhou Taohuawu, Shandong Weifang and Hebei Wuqiang. The subjects of the New Year Picture are divided into several categories: secular lifestyle, historical fictions, myths and legends. Among them, Legend of the White Snake, God of wealth have been prevailing across China for a long period of time. Famous pictures like “Surplus Every Year”, “Fat Baby” are also quite popular.

Regarded as the symbol of Good luck and happiness, it is usually updated once a year just as its name suggests. People usually paste it during the Spring Festival, meaning “say goodbye to the past and welcome the future”.

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Chinese Batik

Batik, also known as laran or laxie in Chinese, is an ancient folk handicraft for fabric printing and dyeing in China. Together with tie dyeing and stencil printing, batik is known as one of the three Chinese printing techniques. Batik also has a special feature called “Ice patterns” due to the characteristic of wax of cracking.

The history of batik can date back to the period of Qin and Han Dynasties (221BC~220). In Sui and Tang Dynasties (581~907), it was quite popular. Batik technique is handed down from generation to generation in the area of southwest ethnic minorities, especially in Guizhou Province, the hometown of batik.

There spread a story about the origin of batik. The story goes that, in Miao (one of the ethnic minorities in China) cottage, a girl was not satisfied with the pattern of her clothes. One day, the girl dreamed that she was led by a flower fairy to a flower garden. Flowers there are so beautiful that they attracted the girl and also the bees. However, when she woke up, honey and beeswax were found on her skirt. After washing the skirt, she found various white flowers appeared on it. From then on, the method was adopted to make clothes and people named it Batik. It soon widely spread and many ethnic minorities mastered the technique.

The batik goes through three steps: making knots, dipping and dyeing, and drying in the sun. At the process of making knots, dipping and dyeing, people have no idea what the cloth will look like exactly. However, after that, miracles appear: Surprising and unexpected patterns appear on the cloth.

The batik shows the various patterns with white flowers on a blue ground or blue flowers on a white ground. Nowadays, other colors including red, yellow and green are added into the batik, which formed the multicolor batik. The designs are quite rich and colorful. Most of them are taken from the daily life or folktales.

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Wine Vessels

In different historical periods, there exist various wine vessels. The development of the wine vessel coincides with the economic development in ancient China. It has a long history of more than 7000 or 8000 years.

Generally speaking, its development has experienced five stages:

The first stage is the New Stone Age (about 8000 years ago) – Pottery wine vessel.

The second one is the Xia, Shang and Western Zhou Dynasties (2033BC? ~771BC) – Bronze wine vessel. A large number of great works appeared during this period, such as the Four Sheep Rectangular Zun.

Then the next stage is the period of Eastern Zhou, Qin and Han Dynasties (770BC~220) – Lacquer wine vessel. Later, the porcelain wine vessels also appeared at this period.

During the Sui and Tang dynasties (581~907), wine vessels made of Gold and silver wine vessel, which looked really brilliant, emerged and became popular later.

The last stage is during the period of Song, Yuan, Ming and Qing Dynasties (960~1911) – Porcelain wine vessel was in the mainstream status, while the vessels made of gold and silver were relegated to a secondary position.

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